Alan Coady’s Musical Blog

This afternoon I was proud to take part in a performance with 9 guitarists and 2 singers from Knox Academy & North Berwick High School. Organised by Health Scotland, the theme was mental well-being and the idea of the performance was to allow delegates to see the benefits conferred upon young people by engagement in positive activity. This resonates with my own view (not mine alone, of course) that involvement in something, which is both meaningful and bigger than oneself, is one of the key ingredients of good mental health. Music and sport provide many and varied opportunities for the natural occurrence of this phenomenon.

Impromptu MC, I was keen to highlight the relevance of the way in which much of the music had been put together to the themes of the day. Many of the pupils had been on exam leave for several weeks and, nevertheless, were game to take on new material for public performance at very short notice. One example of positive attitude was to be seen in two pupils who agreed to join in the accompaniment of two songs only yesterday. Another was in the willingness of the whole group to perform a blues put together in a few minutes with neither notes nor overall plan written out. Four individuals volunteered improvised solos in this blues, and I was keen that the audience enjoy the quality of living in the moment, which always adds an immediacy to performance. I decided to dedicate this blues to Carol Craig of the Centre for Confidence and Well-being who was seated quite near the group. Her talk on well-being at the 2007 Scottish Learning Festival was one of those rare events where someone appears to be articulating inchoate thoughts you’ve had for years.

Our final item, an arrangement of The Average White Band’s Pick Up The Pieces, seemed apposite. The young people playing have most of their lives before them. Things are bound to go wrong in the remaining decades but the thing is to pick up the pieces and keep on keeping on.

Thanks to everybody involved* for representing East Lothian in general, and these two schools in particular. The audience seemed both engaged and moved and the organisers were very grateful to the pupils for providing exactly the positive effects they had envisioned.

* the day had kicked off with a performance by some hip-hop dancers from Dunbar Grammar School – unfortunately this was long before we arrived for our lunchtime slot.

 

Increasingly, differences between some aspects of the real and virtual worlds feel virtually negligible – with one notable exception. Walking past the bookshelves in the hall, my eye is frequently caught by the spines of books I hope soon to read or re-read. Undeservedly neglected blogs seem to reach out less and I often return to one to find a treasure trove of fascinating reading/watching/listening/testing matter. One such is Music Matters* – a music cognition blog put together by Henkjan Honing of the University of Amsterdam.

This morning’s visit threw up the following topics:

How well would you do as an expert?

Can music cognition save your life?

Gene for music?

Although apparently published last week, this study was thrown my way by Hilery Williams last term!

Can you point at it?

Is beat induction special? (Part 5)

Does rhythm make our bodies move?

Infant-direct speech

* somewhat confusingly, this is also the name of weekly podcast in my feed-reader from the Radio 3 programme of the same name.

 

Wednesday’s edition of All In The Mind featured a study on the effect of rudeness (in the workplace) on creativity and productivity. The study by Amir Erez of the University of Florida and Christine Porath of the University of Southern California, discovered that even witnessing rudeness can affect cognitive performance, memory and incliantion to help out.

This discovery is at odds with our culture of humiliation as seen in Britain’s Got Talent; X Factor; The Weakest Link; Dragons’ Den; The Apprentice. The first two of these are extremely popular with pupils and, before hearing of this study, I often used to wonder what message was being conveyed when the response to ambition was often mere cruelty.

Listen again here, or else! The article is the second of three in the programme.

While on holiday last week, I found myself in the Chapter House of Worcester Cathedral. Just walking

 into this circular, stone room it was clear that the acoustic was magnificent – as was the silence. My guitar and Zoom H2 recorder were just across the road in the multi-storey car park, and before long, I was making enquiries about the possibility of making a recording. The cathedral staff, Susan Macleod in particular, were very friendly and accommodating.

These are not magnificent performances by any means (I hadn’t exactly been shaping up for a performance of any sort) but I couldn’t resist playing in this room and was grateful to have the opportunity to be able to direct pupils to an example of the difference that acoustics can make to the feel of a performance.

Prelude from Cello Suite No. 1 BWV 1007 (J. S. Bach) cello-prelude

Now Westlin’ Winds (Burns arr Coady) now-westlin-winds

For Michael (Coady) for-michael

Three Jigs:(Coady) three-jigs

1. Hamish Henderson

2. Dick Gaughan

3. Jimmy Johnstone

 I also messed around with a few notes (and spaces) just to play with the echo: playing-with-chapter-house-echo

 

David Byrne writes eloquently, resonantly and, in one sense, optimistically about the future of the recording industry in the indented paragraph contained here.

If I feel as nimble as he appears to when I’m 56, I’ll be chuffed:

I seem to have fallen behind with the dusting :-) possibly due to having spent 10 of the last 16 nights in schools. Here are some of the highlights of items featuring NBHS guitarists this evening:

Guitar Ensemble Scottish Medley 2009 scottish-medley-2009

Zoe & Senior Guitarists Ca’ The Yowes ca-the-yowes-live

Zoe & Senior Guitarists John Anderson My Jo john-anderson-my-jo

I was keen to clarify, to the audience, an important nuance in accreditation. The musical arrangements were my own but in the case of the Ca’ The Yowes, Zoe had brought as much to the project as I had in creative/interpretative terms and certainly a good deal more in performance terms. My role had simply been to find the nicest harmonies I could and sprinkle notes, like so many dew drops, around the fingertips of my fine young friends in the ensemble. The melodic variation wrought by Zoe (entirely her own idea) provided, for me, the lion’s share of the transformational and affective content of the performance.

Have a great Easter, everyone!

In our enthusiasm for learning through gaming, might we be overlooking one of the oldest games in the world – chess? There is sufficient belief in its contribution to learning in general, that countries as varied as America, Russia and Venezuela include the game – and its study – in the curriculum. Closer to home, Chess Scotland is very active in school life (look for Schools link in menu on left-hand side).

Google Alerts threw a pdf document my way entitled the Benefits of Chess in Education, in which, like music, chess is shown to strengthen other domains – reading, maths, logic, planning, problem solving, juggling options. There appear also to be social and behavioural benefits.

The chess community has not been slow to augment traditional over the board games and analytical books with a variety of hi-tech and online resources: chess computers; software; websites; gaming sites. YouTube features many instructional videos on openings and endgames in addition to more performance-based films such as this amazing blitz game (even the physical co-ordination is impressive – let alone the mental performance):

 

or this simul, in which Garry Kasparov defeats 25 opponents:

Perhaps, though, despite all this, the game of chess continues to labour under the image of being a geeky game? Well, not in South Bronx, where the Dark Knights record against schools which can afford private coaching is very impressive.

You’d imagine that a job which entails 52 practical lessons and three rehearsals per week would feel repetitive. Well, I suppose it does in the same way that breathing feels repetitive but, as Burns might say, the deil’s in the detail. Timing is everything, resulting in some days feeling qualitatively different from others. Yesterday was a case in point. To paraphrase a sporting cliché, it was a game of three thirds.

Morning

Teaching in a school with the biggest variety of experience possible – S1 players who began in S1 and S6 players who began in P5. Practical exams behind us, more experienced pupils* could concentrate on repertoire for the East Lothian Guitar Ensemble (ELGE).

Afternoon

Final rehearsal of ELGE before next Friday’s Showcase Concert. The tiredness often seen at these Friday afternoon rehearsals was nowhere to be seen and, to coin an inelegant but accurate phrase, the pupils were really knocking hell out of the music – where appropriate, of course There was no discussion about where to put fingers, technique etc. It was all about balance, articulation, mood, feeling – about enjoying the experience and conveying that enjoyment to the audience.

Evening

2^nd of three performances of Guys & Dolls at NBHS. My role in this is simply to play bass guitar and, as I become more familiar with the part and the cues, I can begin to enjoy the on-stage action more and more. Last night the worrying spectre of illness haunted the cast and the possibility of leading characters simply not being well enough to make their next cue was palpable. Given the commitment and teamwork this really has to be the most unfair piece of luck possible. However, I would defy anyone in the audience to have noticed. This really was the most inspirational illustration of the word trouper I’m aware of having witnessed.

* some of these experienced pupils are in S1

 

Those involved in education, lucky enough to be in their cars by 4:30 tomorrow (Wednesday 18^th), might care to tune into Radio 4’s Am I Normal, which this weeks focusses on “how ‘gifted’ is measured and by whom.”

Thursday, being World Book Day, I took my current read into school, as suggested – Proust And The Squid by Maryanne Wolf. Although it is pure coincidence of timing, it seemed to me that there could be no book more fitting. Aware that the title did not automatically yield clues to content, I said simply, “it’s about reading and the brain.” Most pupils had a quick look at the front cover. Only one, a girl in S1, read the back cover – and then said, “cool.”

I thought that this would be the ideal opportunity to conduct a short survey on reading habits. The aim was to have four straightforward questions and for the entire process to last 30 seconds, so as not to intrude on lesson time. The sample group represent, I would contend, the motivated pupil – people prepared to carry an instrument to school at least once-a-week; prepared to practise 5 days-a-week at home; prepared to catch up on work missed while at their instrumental lesson; prepared to spend lunchtimes and Friday afternoons rehearsing in school and local authority ensembles; prepared to represent the school in several concerts each year.

The sample comprised 23 pupils – 13 boys and 10 girls – the age range S1 – S6. Percentages have been rounded up/down to the nearest whole number.

Question 1:   Apart from school reading, are you reading anything else – for interest or pleasure?

Whole group - 48%      Boys - 38%      Girls - 80%

Question 2:   Is there a book which you plan to get round to reading?

Whole group - 65%      Boys - 54%      Girls - 80%

Question 3:   Do you ever read a book more than once?

Whole group - 48%      Boys - 23%      Girls - 80%

Question 4:   Do you enjoy writing – anything at all – even funny emails to friends?

Whole group - 52%      Boys - 31%      Girls - 80%

The difference is those currently reading for pleasure and those planning to read could be explained by the timing of the survey – various SQA folios were due in by the end of the week; the SQA Music practical exams were imminent. The interest in re-reading seemed the most straightforward way of trying to distinguish those who read to find out what happened next from those who experienced some joy in the language or created world within any given book. Almost without exception, the response to being asked about enjoying writing was, “school stuff?” The tone implied horror at the very suggestion that this could be enjoyable. Perhaps this conveyed a feeling of being beset by deadlines.

Assuming that we all believe reading and writing to be good things, it seems clear that boys are missing out somewhat.

Had the survey been about dance, the statistics would have been more stark. It seems that almost all girls on my timetables are involved in some kind of dance activity in or out of school. To the best of my knowledge no boys are.